Secrets of the Castle.

Just found out that the Historians that brought the farm series are back with a new series.

Ruth Goodman with Peter Ginn and Tom Pinfold are at the Guédelon project in France where they spent time Learning how to build a castle and what life was like for the workers.

Looks like I missed the first 3 episodes (only episodes 3 and 4 on BBC iPlayer.

I don’t have a Passport but If I did, the Guédelon project would be on my “Places to go” list.

Follow the link for more information about the project >>> http://www.guedelon.fr/en/

How do I go about writing a series?

I meet up with Lois of http://loiselden.com and started sharing experiences about writing. One of the things that came up was “How do you go about writing a series?”

The Diaries of James Purcell (Book #0 – The End, is coming soon) and is planned for nine book over three trilogies but, how do I find the inspiration to write the series? The analogy I used was “A series is like a tree growing. As you start writing, the story grows on its own and will split and grow branches.

This has left me with a minor issue with the series I have started writing the first of a side series called “Valkyries – The Lady Death.” The Valkyries series follows the female main characters as they o about there lives outside of the main series. so far the first few of the series previously held the title of Æther tempest (a trilogy) but the title never felt right.

The current plans for the Valkyrie series is a follows.

v#1 – The Lady Death
v#2 – Captain Lee
v#3 – The Elf Captain
v#4 – McClays Tempest.

The Lady death while starting as a NaNoWriMo project starts in T.D.J.P – BOOK #0 – The End and will parallel the main James Purcell cycle while the other 3 fit between the two trilogies that make up the James Purcell cycle.

But, I’ve wondered off subject here. The ideas for these books started as chapters and paragraphs in the main stories but as questions started to rise, notes and background fluff started to be generated. These “Fluff” text soon start to take on their own life and demand attention. It is this point that the branches grow to their own branches and eventually enough notes exist that you have another book.

(I really hope that helps)

She also asked me the following: When writing a sequel how do you avoid reproducing chunks of the previous books in the fear the readers will have question about because they didn’t read the first?

There are many ways to answer this.

1, The Prologue. I once read that a prologue is not often read because it usually doesn’t contain much that adds to the story. To me, this feels like the ideal place to recap the previous book.
2, Flash backs. Characters will always drift of and remember or day dream about previous events.
3, Hints and subtle clues. If you want to avoid the recaps and memories then another option is to just drop hints to the past events. assuming that the reader doesn’t expect everything to be reproduced then (I hope) that these hints will be enough to make readers thing, “Oh I’ve missed a book here and ned to read the previous one.”

I apologise if this is hard to understand but I do tend to confuse explanations at times but, the other reason is that I have “Man Flu” (ROFL) and feel drained from not much sleep.
If anyone has any questions please feel free to ask them.

B.T.W once I have finished the ebook I will move on to P.O.D publishing via amazons createspace so expect a writeup of that soon.

See you in port next time Airship Captains and Words Scribes!